One of my recurring themes when creating images of musicians is to use motion and focus as a way to express my own personal sense of the music. Last year, during Bonerama‘s March 2014 visit to Rochester, I made such an image in tribute to one of my favorite bands – who also have become my and my wife’s friends. This composition is built from multiple exposures which together I have entitled “Bones in Motion”. To complete the image, I created a virtual frame based on sampled portions of the trombone metal in the pictures.
This is the 2015 contribution from Studio Michaelino to the Threadhead Cultural Foundation Raffle. It is a limited edition 16″ by 11″ print on archival matte paper which has been pre-mounted on a backing board. And it is the only existing print signed by the three members of the band in the picture: Mark Mullins, Craig Klein and Greg Hicks as well as the artist Michael “Michaelino” Tomb.
The print is valued at $150.
March 2, 2015
See New Art from Studio Michaelino and visit other open studios at RoCo Upstairs during the First Friday December 5, 2014 event. At the same time the Rochester Contemporary Art Center will be showing its 24th Annual Members Exhibition featuring works from over 270 artists. Michael Tomb will also be given a short ten minute talk at 6:10 in the downstairs gallery on his submission to the 2014 Exhibition, “Root Wars I”, as part of the “Day the Artists Spoke”. Michael will speak on his inspiration for his series “Skin of the Arboretum” and other digital works, including on his interest on digital framing and Trompe L’oeil.
December 4, 2014
What happens when you combine a passion for photography, renewable energy and apple cider? For Rochester, NY photographer Michael Tomb it meant a chance opportunity to capture some amazing images, like the one we’re featuring here. Returning from a vacation trip in Vermont, Michael and his wife Marcia stopped at the Cold Hollow Cider Mill in Waterbury, VT to get some cold cider for the road. When he spotted the farm’s “solar orchard” out back, he says the simple abstract beauty got a hold of him and he spent some time capturing many dramatic wide angles of the farm’s 26 solar arrays (which have become a local attraction). Later, he made a stop at a wind farm in NYS to take more photos and he plans to create a series called “On The Grid”, with these and other images. Michael’s deep interest in energy began as a physics major in college, when he toured the Three Mile Island nuclear facility, a couple of years before the famous accident, and had an epiphany: “I looked at all the switches and gauges and said silently to myself – they have forgotten human error.” We’re delighted to share his passion for renewable energy with you and plan to post other images from his series in weeks to come.
From Sustainable Energy Developments, Inc – Facebook Page
September 6, 2014
The many passions of digital media artist Michael Tomb
Tomb’s image of the beloved Katsura tree
(Cercidphyllum japonicum) in Rochester’s Highland Park.
By Michelle Sutton Images copyright Michael Tomb
Michael Tomb’s mesmerizing “Skin of the Arboretum” image series began in early 2008, on a tour of Rochester’s Highland Botanical Park Pinetum with horticulturist Kent Milham. Tomb became fascinated by both patterned and abstract expressions of bark on the trees; he now exhibits truly arresting photos and photo collages of them. As with “The Hobbiton of the Bark” (see photo), he frequently employs an element of trompe l’oeil in both the subject matter and the convincing, apparent picture frame.
Tomb identifies as a digital media artist, rather than a photographer. He has taken an average of 50 pictures a day over the last 15 years. Many of his images employ HDR (high dynamic range) software that takes multiples of an image and eliminates the “noise” from each one to get a wider range of exposure and maximum 3-D effect.
“Many of my finished images are not one photo—each is as many as 12 or 13 frames on top of or extending each other,” he says. “Virtually every image has been manipulated. I don’t believe in the idea that there’s a clean image that’s somehow sacred. All digital cameras are computers, after all, so a program is involved in any digital photography.”
He continues, “I’m after the image. I like to use any method available to me—so were many of the most famous film-based photographers. They often used analog tools such as filters on the camera or the enlarger and dodging and burning, even combining multiple images into one. I experimented with all those techniques back in my darkroom days. But the image still begins in my mind’s eye and works its way slowly towards a surface of some sort. There is no happy accident involved here; I know what I want and when the image finally lines up with my internal expectation, it’s finally done.” Continue reading…
July 20, 2014
Threadhead Raffle 2014
Buy Tickets for this item Here!
“Second Line Triptych”
Based on Photos Taken at the Second Line in Honor Uncle Lionel Batiste at New Orleans Jazz & Heritage Festival 2013
Signed Enhanced Matte Print Mounted on Backing Board (#1 of 25)
Value: $200 Continue reading…
March 31, 2014